Sunday, May 2, 2010
Fluxus
Fluxus
Fluxus
Flauxus
This week we had to read Flauxus by Hannah Higgins. After I started to read it, I realized that I started to look at art in a different way. When I look at art in a normal museum, I think of sculptures and different paintings or pictures. When I think of Flauxs art, I think of it as a having a physical effect on the person looking at it rather than an emotional attachment or connection. I feel like this was a very interesting piece to read because I was able to think of art differently then I did before. But, I did have a hard time connecting this book to something else that we’ve read in class so far this semester. The only thing I could really find was early on in the semester when we read about art and how people look at it and how everybody has their own interpretations.
Fluxus
Fluxus
In the first chapter of “Fluxus” by Hannah Higgins, a variety of work pertaining to movement known as Fluxus are mentioned. Many if not all of these involve something that distorts the audiences senses in some manner. The first of which were films known as “Eyeblink” and “Flicker” which purposely exhausted the optic nerve and muscles surrounding the eye. Another form was the invention of glasses that contained needles on the lenses facing inward to skewer the retina of any potential wearer. In addition to these sadistic innovations, a “Flux Smile Machine” was created and when placed in one’s mouth it “pinches the soft flesh of the inner cheek, gouges the gums, binds the lips, flattens the tongue; it scrapes against the enamel of the users’ teeth and sits awkwardly in the mouth”. Perhaps it is my own emotions affecting my judgment, but these forms of “art” seem more like torture, and are highly revolting.